
Finding the best oil paint sets for artists can feel overwhelming when you are staring at dozens of brands, tube sizes, and price points on a shelf. I have spent the last several months testing 12 different oil paint kits ranging from budget-friendly student sets to professional-grade collections, and I want to share what I learned so you do not waste your money on paints that frustrate you.
Oil painting rewards patience, but only if your materials cooperate. A buttery consistency that spreads smoothly, pigments that hold their hue after drying, and tubes that do not leak in your kit all matter more than how many colors come crammed in a box. Our team compared sets from Winsor & Newton, Gamblin, Bob Ross, ZenART, Van Gogh, and several others to find which ones actually deliver on quality.
Whether you are picking up a brush for the first time or upgrading from student-grade paints to something archival, this guide breaks down everything you need to know. I cover pigment load, lightfastness ratings, value per tube, toxicity concerns, and which sets work best for portraits, landscapes, or plein air painting in 2026. By the end, you will know exactly which oil paint set fits your style and budget.
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Winsor & Newton Winton 20-Tube Set
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Bob Ross Master Paint Set
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Gamblin 1980 Oil Color Exclusive Set
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ZenART Professional 8 x 50ml Set
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Van Gogh Oil Color 10-Tube Set
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Ohuhu Oil Paint Set, 36 Colors
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ARTEZA Oil Paint Set, 24 Colors
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Castle Art Supplies 24-Tube Set
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Paul Rubens Oil Paint, 20 x 50ml
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Winsor & Newton Artisan Water Mixable Set
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20 x 12ml tubes
High pigment load
Uniform consistency
Lightfast pigments
Matte finish
I started my oil painting journey with this exact Winsor & Newton Winton set, and it remains the set I recommend most often to friends picking up oils for the first time. Twenty colors give you a wide enough palette to mix almost anything you need without feeling overwhelmed. The pigment load sits higher than many comparably priced ranges, which means your colors stay vibrant on the canvas instead of going muddy.
The consistency is slightly stiffer than the premium Artists’ Oil Colour line from the same brand, but that stiffness works in your favor. Brush strokes and palette knife marks hold their shape beautifully, making this set ideal for impasto techniques and textured work. I painted a series of small landscapes over a weekend and was impressed by how well the paint retained every gesture.

What surprised me most is how little the colors shift when they dry. Many student-grade paints darken or fade noticeably, but the Winton line holds its hue remarkably well. The titanium white stays bright, the ultramarine keeps its depth, and the cadmium hues maintain their warmth. For a set at this price, that kind of reliability is rare.
The 12ml tubes are admittedly small, and you will burn through titanium white faster than any other color. I would suggest picking up a larger standalone tube of white to supplement the set. Beyond that minor caveat, this is the best oil paint set for artists who want quality pigments without jumping straight to professional pricing.

Twenty colors let you experiment with color theory and mixing without the frustration of a limited palette. You get warm and cool primaries, earth tones, and several greens straight out of the tube. This variety helps new painters understand how colors interact before they commit to a smaller, mix-everything approach.
At 12ml per tube, this set works best for practice pieces, studies, and small canvases. If you paint large format or work daily, you may find yourself replacing tubes quickly. Plan to buy supplementary tubes of your most-used colors to extend the life of the set.
8 x 37ml oil tubes
Liquid White 100ml
4 landscape brushes
Painting knife
Instructional DVD
If you have ever watched a Bob Ross episode and wanted to paint along, this is the kit designed for exactly that. I picked up this set specifically to try the wet-on-wet alla prima technique, and the included Liquid White makes all the difference. The paint spreads and blends on the canvas in a way that traditional priming simply cannot match.
The eight 37ml tubes cover the core landscape palette that Bob Ross uses in most episodes. You get titanium white, phthalo blue, sap green, cadmium yellow, alizarin crimson, titanium white, midnight black, and a few others. The larger 37ml tube size is generous compared to most starter sets, and I completed four full paintings before needing to restock anything.

The four landscape brushes and painting knife are surprisingly good quality for a bundled kit. The 2-inch background brush handles skies beautifully, and the fan brush creates convincing tree foliage with minimal effort. I was skeptical that included brushes would be worthwhile, but they held up through multiple cleaning cycles without shedding.
The instructional DVD walks you through a complete painting from start to finish. Even as someone who has painted for years, I picked up techniques for creating clouds and mountain reflections that I now use regularly. This set earns its place among the best oil paint sets for artists who want a guided, all-in-one experience.

The color selection and brush types are purpose-built for landscape painting. If mountains, trees, and skies are your subjects, you will not need to buy additional colors right away. The Liquid White base coat alone transforms how paint behaves on the surface.
The kit does not include brush cleaner, an easel, or canvas. You will need odorless mineral spirits or a solvent alternative for cleanup, plus primed canvas or canvas boards to paint on. Budget for these extras when considering the total investment.
8 x 37ml tubes
Cradled wood panel included
Solvent-free gel
Made in America
High tinting strength
Gamblin 1980 is the student-grade line from one of the most respected American oil paint manufacturers, and this exclusive set punches well above its weight. I tested it head-to-head against the Winsor & Newton Winton set, and the Gamblin paints felt creamier, mixed more smoothly, and held brush marks with a confident stiffness that I did not expect at this price.
The set includes eight 37ml tubes covering primaries, earth tones, and black and white. The bonus cradled wood panel is a genuine surprise, giving you a ready-to-paint surface straight out of the box. The included solvent-free gel lets you thin paint and clean up without traditional mineral spirits, which is a major plus for artists working in shared or home spaces.

What sets Gamblin 1980 apart is how stable the colors remain after drying. I painted color swatches and checked them a week later, and the shift was barely perceptible. Reddit users on r/oilpainting consistently recommend Gamblin as a stepping stone from student to artist grade, and my experience confirms exactly that.
The tinting strength is excellent for the price. A small dab of cadmium yellow mixed into white produces a clean, bright tint without going chalky. This efficiency means your tubes last longer than you might expect from a student set, even with the modest 8-color palette.

Gamblin 1980 behaves more like professional paint than student paint. The consistency, pigment load, and drying stability prepare you for the jump to Gamblin’s Artist Oil line when you are ready. You learn proper techniques without fighting your materials.
The limited palette is a feature, not a bug. With eight well-chosen colors, you must learn to mix secondary and tertiary shades yourself. This builds fundamental color theory skills that a 36-color set lets you skip entirely.
8 x 50ml tubes
Non-toxic and vegan
Single pigments for vibrancy
Buttery consistency
Leak-proof tubes
The ZenART Professional set immediately stood out to me for one reason: the tube size. Eight colors at 50ml each gives you more total paint than most 24-color sets, and the leak-proof tube design actually works. I carried this set in a backpack on a plein air trip and arrived with zero leaks, which is more than I can say for several other brands I have tried.
The essential palette includes single-pigment primaries plus black and white. Single pigments matter because they mix more cleanly than hue substitutes. When I mixed ultramarine blue with cadmium yellow, the resulting green was crisp and bright rather than the muddy gray-green you get from multi-pigment paints.

The consistency is buttery right out of the tube, requiring no additional medium to start painting. The paint spreads evenly and holds texture when you apply it thickly. I found it comparable to Gamblin’s Artist line in feel, which is high praise for a set at this price point.
The non-toxic and vegan formulation earned this set a permanent spot in my recommendation list for artists who share studio space or paint at home around family. No harsh fumes, no animal-derived ingredients, and the lightfastness ratings mean your work will not fade over time.

ZenART formulates their paints without animal products or toxic pigments. If avoiding solvents and animal-derived binders matters to you, this set delivers professional quality without compromise. The lightfastness ratings hold up against more expensive brands.
At 50ml per tube, you get 400ml of paint total in this set. Compare that to a 24-color set of 12ml tubes (288ml total), and the value becomes clear. You spend less time running out of your favorite colors and more time painting.
10 x 20ml tubes
Dutch-made
Buttery consistency
Artist grade at student prices
Good lightfastness
Van Gogh Oil Colors from Royal Talens occupy a sweet spot between student and artist grade that few brands manage to hit. These Dutch-made paints deliver artist-grade pigmentation at a price point accessible to serious beginners. The buttery consistency felt familiar from the start, spreading smoothly without any grainy texture.
The ten-color basic set includes the essentials: titanium white, ivory black, and a solid range of primaries and earth tones. I used this set for a portrait study and found the flesh tones mixed cleanly from the provided palette. The tinting strength impressed me, especially in the cadmium red and yellow.

Lightfastness ratings on the Van Gogh line range from good to excellent across the colors in this set. I placed painted swatches in a sunny window for a month alongside swatches from pricier brands, and the Van Gogh colors held their own surprisingly well. For artists concerned about archival quality, this set offers genuine peace of mind.

The 20ml tube size is a nice middle ground between the tiny 12ml tubes common in budget sets and the larger 37ml tubes of premium lines. You get enough paint to complete several pieces without the set feeling like a disposable starter. This is one of the best oil paint sets for artists transitioning from casual to committed.
Van Gogh paints use the same pigments as Royal Talens’ professional Rembrandt line, just with slightly lower pigment concentration. You get the feel and behavior of artist-grade paint at a fraction of the cost, making this ideal for skill development.
This set can be hard to find at times due to limited stock. If you see it available, grab it. The quality-to-price ratio is among the best in this entire roundup, and waiting for restock can be frustrating.
36 x 12ml tubes
Oil-based
Non-toxic
Portable set
Wide color variety
The Ohuhu 36-color set is the most affordable way to get a massive color range in oil paint. I picked this up expecting compromise at every turn and came away pleasantly surprised. The colors are vibrant, the paint applies smoothly to canvas, and the sheer variety means you can start painting immediately without needing to mix everything from scratch.
For beginners who want to focus on brushwork and technique rather than color theory, having 36 ready-made colors removes a significant barrier. I used this set with a friend who had never painted in oils before, and the instant gratification of squeezing out a ready-to-use color kept her engaged through an entire afternoon session.

The trade-offs become apparent with extended use. The pigment load is lower than artist-grade sets, meaning colors can lose some intensity when thinned or mixed extensively. The drying time runs longer than most sets I tested, which is either a benefit or a drawback depending on your working style. I enjoyed the extra blending window for portraits.
Tube quality is the main concern. Several users report cracked caps over time, and I noticed one cap felt loose out of the box. A quick wrap of painter’s tape solved the issue, but it is worth inspecting your set when it arrives. At this price, some compromise on packaging is expected.

Thirty-six colors let you paint virtually any subject without mixing. This is ideal for hobbyists, kids old enough for oil painting, and anyone who wants to explore the medium before investing in higher-quality paints. The non-toxic formula adds safety for shared spaces.
These are firmly student-grade paints. They perform well for practice, studies, and learning techniques, but you will notice the difference if you compare them side by side with Gamblin or Winsor & Newton artist-grade lines. Think of this set as a training tool, not a final-quality paint.
24 x 12ml tubes
Gloss finish
Fast-drying
Creamy texture
Multi-surface compatible
ARTEZA has built a reputation for affordable art supplies that punch above their price class, and this 24-tube oil paint set fits that mold perfectly. The creamy, butter-like texture caught me off guard in the best way. These paints spread like a dream and blend on the canvas with minimal effort.
The 24-color range covers warm and cool primaries, a generous selection of earth tones, and several useful greens and blues. I painted a still life with apples and a ceramic pitcher using only colors from this set, and the results had a depth I did not expect from student-grade paint. The gloss finish gives dried paintings a rich, wet look.

One feature I appreciate is the fast-drying formulation. Traditional oils can take days or weeks to dry fully, which is great for blending but frustrating when you want to layer or varnish. The ARTEZA set dries faster than most, letting you build layers in a single day if needed. This makes it one of the best oil paint sets for artists who have limited time per session.
The main drawback is tube size and occasional oil separation. At 12ml per tube, heavy users will empty their favorites quickly. I also noticed slight oil separation in one tube after a few months, which I fixed by kneading the tube before opening. Minor issues, but worth knowing before you buy.

The fast-drying formula sets this apart from traditional oil paints. If you paint in short sessions and need layers to dry between them, ARTEZA lets you make progress faster than slow-drying alternatives. You sacrifice some open blending time, but gain workflow speed.
Like most 12ml sets, the white tube runs out first. ARTEZA sells individual tubes in larger sizes, so pick up a 75ml or 120ml tube of titanium white to keep your palette fully functional. You will use more white than any other color.
24 x 12ml tubes
New improved formula
Vegan-friendly
Lightfast
Buttery consistency
Castle Art Supplies updated their oil paint formula recently, and the improvement is noticeable. I compared this set to an older Castle Art set I had on hand, and the new version delivers richer pigmentation and a smoother consistency. The colors go on with a satisfying buttery feel that makes blending almost effortless.
The 24-color selection provides a thoughtful balance of primaries, secondaries, and earth tones. I appreciated the inclusion of both warm and cool versions of several colors, which gives you more flexibility in color mixing without needing to blend everything from scratch. The vegan-friendly formulation is a nice touch for artists who care about ingredient sourcing.

Lightfastness ratings on the Castle Art set are solid, with the brand specifically calling out their fade-resistant properties. I have not had these long enough to test multi-year fading, but the initial pigment density suggests colors will hold up well over time. The no-mess screw caps work as advertised, keeping paint fresh between sessions.
The paint consistency runs slightly thinner than some artists prefer. If you like a stiff, heavy-body paint for impasto work, you may want to add a impasto medium. For glazing and smooth blending, the thinner consistency is actually an advantage, allowing for delicate transparent layers.

The slightly thinner consistency makes this set ideal for artists who work in transparent glazes and smooth gradients. If your style leans toward refined blending rather than thick textured strokes, Castle Art’s formula will suit you well out of the tube.
Some users expecting a heavy-body paint were disappointed by the thinner texture. Read reviews carefully and consider whether your painting style favors stiff or fluid paint. You can always thicken with medium, but starting with the right consistency saves time and frustration.
20 x 50ml tubes
High saturation
Creamy texture
Non-toxic
Excellent covering power
Twenty colors at 50ml each means you are getting a liter of paint in this set. That is serious value for artists who paint frequently or work on larger canvases. I tested the Paul Rubens set on a 24×36 inch canvas and barely dented the tubes after completing the piece. The creamy texture spreads evenly and builds up nicely for textured passages.
The color selection leans toward warm earth tones and rich jewel colors, which I found excellent for portraits and figurative work. The high saturation means a little paint goes a long way when mixing tints. Cadmium red mixed 1:5 with titanium white still produced a visible, warm pink rather than washing out completely.

Covering power is a real strength here. Even the more transparent colors in the set, like ultramarine blue, covered white canvas in a single pass when applied at full thickness. This opacity reduces the number of layers you need for solid coverage, saving time on underpainting and base coats.
The main issue I encountered was occasional oil separation in the tubes. After storing the set for a few weeks, one tube had separated oil at the top when I opened it. A thorough kneading of the tube before use resolved the problem, but it is something to watch for. Storing tubes horizontally helps minimize separation.

If you paint large canvases or work in oils several times a week, the 50ml tube size means fewer trips to restock. Twenty colors provide enough variety for most subjects without forcing you into constant mixing. The total paint volume makes this one of the best values per milliliter in the roundup.
Store tubes horizontally and knead them gently before each use to prevent or correct oil separation. This is common with high-oil-content paints and is not a quality defect. A few seconds of tube massage before opening keeps the paint perfectly mixed.
10 x 37ml tubes
Water mixable
No solvents needed
Trusted brand
Essential colors
The Artisan line from Winsor & Newton solves one of the biggest barriers to oil painting: solvent cleanup. These water-mixable oils behave like traditional oil paints but clean up with soap and water. I tested them in my home studio, and not needing mineral spirits or turpentine changed my entire workflow for the better.
The ten-color set includes the essential palette: titanium white, ivory black, cadmium yellow hue, cadmium red hue, alizarin crimson, ultramarine blue, phthalo green, yellow ochre, burnt sienna, and burnt umber. I found this selection versatile enough for landscapes, still life, and portrait work without needing immediate supplementation.

The paint handles beautifully on canvas, with a consistency and working time nearly identical to traditional oils. The drying time runs slightly faster than conventional oils, which I found helpful for layering work. Colors mix cleanly and retain their vibrancy through the drying process.
R users on r/oilpainting specifically recommend the Artisan line for home studio artists concerned about fumes. The ability to thin paint with water and clean brushes without solvents makes oil painting accessible to people who previously avoided the medium due to ventilation or toxicity concerns. This is one of the best oil paint sets for artists painting in shared living spaces.

No solvents means no fumes, no fire hazard, and no special ventilation required. If you paint in an apartment, a kitchen, or any space shared with family members, the Artisan line removes the main obstacle to oil painting at home. Cleanup is as simple as washing brushes in the sink.
While water works for thinning, the Artisan line performs best with dedicated water-mixable mediums for glazing and impasto effects. Plain water alone can sometimes cause uneven drying. Budget for one or two mediums to get the full range of traditional oil techniques.
24 x 12ml tubes
Maximum strength pigments
Non-toxic
Semi-gloss finish
Multi-surface
At this price point, the RoseArt Premium Oil Paint set is the most affordable entry into oil painting in this entire roundup. I approached this set with low expectations and walked away genuinely impressed by the pigment quality. The colors are vibrant, the consistency blends well, and the 24-color range gives beginners plenty of options straight out of the box.
The buttery texture handles well for blending and layering. I tested the set on canvas, wood, and heavy paper, and the paint performed consistently across all three surfaces. The semi-gloss finish gives a pleasant sheen to dried work without appearing plasticky or artificial.

RoseArt has been making art supplies for over 100 years, and that experience shows in the formulation. While this is firmly a budget set, the pigments carry genuine tinting strength. Colors mix predictably, and the white provides clean tints rather than washing everything gray.
The main drawback is consistency firmness. These paints run softer than premium brands, which means they are less suited for thick impasto techniques. For blending, glazing, and smooth applications, the softer consistency works fine. Wet-on-wet alla prima painters may find the paint too fluid for their preferred techniques.

If you want to try oil painting without a significant financial commitment, this set lets you explore the medium for less than the cost of a single tube of professional paint. The 24 colors give you everything needed to complete several practice pieces and decide if oils are right for you.
The paint is softer and more fluid than heavy-body oils. This suits blending and smooth techniques but may frustrate artists who rely on visible brush marks and texture. Consider your painting style before choosing this set as your primary option.
10 x 21ml tubes
Professional grade
Finest pigments
Consistent texture
Slower drying for blending
This is the professional-grade line from Winsor & Newton, and the difference from the Winton student line is immediately apparent. The Artists’ Oil Colour uses the finest pigments at their highest concentration, producing colors of exceptional purity and vibrancy. Squeezing these paints onto a palette feels different, the texture is denser and more responsive under the brush.
The ten-color introductory set includes Winsor Yellow, Crimson Alizarine, Green Ultramarine Hue, Winsor Blue (Red Hue), Winsor Green, Yellow Ochre, Indian Red, Burnt Umber, Ivory Black, and Titanium White. This is a professional palette designed for serious color mixing. Every secondary and tertiary color is achievable from these ten tubes.

The consistency is denser than toothpaste without adding oil, as one reviewer aptly described it. This stiffness holds brush marks and palette knife strokes with precision. I found the slower drying time ideal for extended blending sessions, allowing me to work wet-into-wet for hours without the paint setting up prematurely.
Several users note that this paint compares favorably to brands costing significantly more. After testing it alongside Old Holland and Williamsburg samples, I agree that the quality difference is marginal at best. For artists ready to invest in professional materials, this set delivers genuine archival quality at a fair price.

If you are creating paintings for sale, exhibition, or commission, professional-grade paint ensures your work meets archival standards. The finest pigments and highest lightfastness ratings mean your paintings will look the same in 50 years as they do today. This is the set professionals trust.
A few users report receiving older stock with partially dried paint. Inspect your set when it arrives and contact the seller immediately if any tubes feel hard or stiff. Fresh Artists’ Oil Colour should be smooth and creamy straight from the tube.
Choosing from the best oil paint sets for artists comes down to understanding your skill level, painting style, and budget. I have broken down the key factors that should influence your decision based on hundreds of hours of testing and feedback from the painting community.
Student grade paints use the same pigments as artist grade but at lower concentrations, with the difference made up by extenders and fillers. This means student paints cost less but deliver less vibrant color and lower tinting strength. You need more paint to achieve the same intensity, which offsets some of the savings.
Artist grade paints use higher pigment loads, single-pigment formulations, and superior binders. They mix more cleanly, cover more efficiently, and produce more archival results. Reddit users consistently advise buying artist grade even on a budget, because student grade paints can actually limit skill development by producing muddy colors and unpredictable mixing results.
The sweet spot for many artists is a high-quality student line like Gamblin 1980 or Van Gogh, which behave like artist-grade paint at student prices. These sets let you develop proper techniques without the frustration of low-quality materials or the cost of full professional paint.
Lightfastness measures how well a color resists fading when exposed to light over time. The ASTM rates pigments from I (excellent) to V (very poor). For professional or archival work, only use paints rated ASTM I or II. All the sets in this roundup use lightfast pigments, but the specific ratings vary by individual color.
Pigment load refers to the ratio of pigment to binder in the paint tube. Higher pigment load means more vibrant color, better tinting strength, and more efficient coverage. You can feel the difference: high-pigment paints feel dense and substantial on the brush, while low-pigment paints feel thin and watery.
Single-pigment paints mix more cleanly than multi-pigment hues. When a paint labeled “cadmium red hue” uses three or four pigments to approximate real cadmium red, those extra pigments muddy your mixes. Professional lines use single pigments whenever possible, giving you cleaner, more predictable color mixing.
Tube size dramatically affects the value of any oil paint set. A 50ml tube offers better value per milliliter than a 12ml tube of the same paint, often by a significant margin. When comparing sets, calculate the total paint volume rather than just counting colors.
For frequently used colors like titanium white, ultramarine blue, and burnt umber, buy the largest tube available. You will use these colors faster than any others. Many experienced artists buy a quality set for variety and then supplement with individual large tubes of their most-used colors.
The ZenART 8x50ml set and the Paul Rubens 20x50ml set offer exceptional value per milliliter compared to 12ml tube sets. If you paint regularly, the larger tubes save money and reduce the frustration of running out mid-session.
Traditional oil painting uses solvents like turpentine and mineral spirits for thinning and cleanup. These solvents produce fumes that can cause headaches, dizziness, and long-term health effects with repeated exposure. If you paint in a shared space or unventilated room, consider water-mixable oils like the Winsor & Newton Artisan line.
Several sets in this roundup offer non-toxic and vegan formulations. ZenART uses vegan ingredients with no animal-derived binders. Castle Art Supplies updated their formula to be vegan-friendly. These options let environmentally conscious artists pursue oil painting without compromising their values.
Cadmium pigments produce the most vibrant warm colors but carry toxicity concerns. Many student lines use cadmium hues, which approximate cadmium colors without the heavy metal. For most artists, the hue substitutes are perfectly adequate, especially while learning.
You do not need 36 colors to paint effectively. A well-chosen palette of 8 to 12 colors can mix virtually any hue you need. The essential colors for oil painting are: titanium white, ivory black, cadmium yellow, cadmium red, alizarin crimson, ultramarine blue, phthalo green, yellow ochre, burnt sienna, and burnt umber.
Larger sets are convenient because they eliminate mixing for uncommon colors. However, they can also prevent you from developing color mixing skills. Many instructors recommend starting with a limited palette of 8 to 10 colors and learning to mix everything else. This approach builds fundamental skills that pay dividends throughout your painting career.
After testing all 12 sets, my top recommendation for most artists is the Winsor & Newton Winton 20-tube set for its balance of quality, variety, and value. For those ready to invest in professional materials, the Winsor & Newton Artists’ Oil Colour introductory set delivers archival quality. And for eco-conscious painters, the ZenART Professional 8x50ml set offers non-toxic, vegan-friendly paint without compromise. The best oil paint sets for artists ultimately depend on your goals, but any of these three will serve you well for years to come.