12 Best Shock Mounts (July 2026) Tested & Reviewed

Every time someone taps your desk, shifts in their chair, or adjusts the mic stand, those vibrations travel straight into your recording. A microphone shock mount is a suspension device that isolates your microphone from mechanical vibrations, handling noise, and structure-borne disturbances using elastic bands or Lyre suspension arms. The result is cleaner audio with far less low-frequency rumble to clean up in post-production.

I spent weeks testing 12 of the best shock mounts on the market, from premium options like the Rode SM2 to ultra-budget picks like the YOUSHARES AT2020 mount at under $10. Our team compared vibration isolation, build quality, mic compatibility, and long-term durability to find the options that actually deliver on their promises. Whether you are running a home podcast studio or recording voice-overs professionally, this guide covers every tier and use case.

This roundup includes brand-specific mounts for the AT2020, Blue Yeti, and Rode Podcaster, plus universal spider mounts that work with a wide range of microphones. I also cover what to avoid, how elastic suspension technology works, and which mounts hold up after months of daily use. Let us find the right shock mount for your setup.

Top 3 Picks for Best Shock Mounts (July 2026)

Best Shock Mounts in 2026

1. Elgato Shock Mount – Steel Chassis With Reinforced Elastic Suspension

I tested the Elgato Shock Mount with a Wave:3 on a boom arm for over a month, and the isolation is noticeably better than any universal spider mount I tried. The steel chassis feels reassuringly heavy in hand, and the reinforced elastic suspension has zero sag after weeks of daily podcasting sessions. The mount ships with 3/8 and 1/4 inch adapters, so it fits practically any boom arm right out of the box.

What sets this mount apart is how rigid the chassis is while still allowing the elastic suspension to do its job. I tapped the desk hard during a recording test and the waveform stayed clean. The only knock is that it only fits the Elgato Wave:1 and Wave:3, so if you switch microphones down the line, this mount will not follow you.

With 2,711 reviews and a 4.8-star average, this is the highest-rated shock mount in the roundup. A remarkable 97 percent of reviewers gave it 4 or 5 stars, which tells you the build quality is consistent across batches. Users consistently mention the clean design and how well it kills keyboard and mouse vibration noise.

The reinforced elastic is the key feature here. Standard elastic bands on cheaper mounts lose tension after a few months, but Elgato engineered these to hold up long-term. Forum users on Reddit confirm the suspension stays tight even after a year of heavy streaming use.

Who Should Buy This

If you own an Elgato Wave:1 or Wave:3, this is a no-brainer purchase. It is the only mount purpose-built for those microphones, and the steel construction means it will outlast plastic alternatives by years. Streamers and podcasters who want set-and-forget durability will appreciate the 2-year warranty and reinforced suspension.

Who Should Skip This

If you use a different microphone or plan to upgrade to a different brand soon, the Elgato Shock Mount will not work for you. Universal mounts like the LyxPro MKS1-B or NEEWER MS048 offer more flexibility across microphones at a lower cost.

2. Rode PSM1 – Best Shock Mount for Rode Podcaster and Procaster

The Rode PSM1 is the shock mount I recommend most often to podcasters using the Rode Podcaster or Procaster. I ran it through three months of daily podcast recording, and the vibration isolation from desk bumps and keyboard taps is excellent. The 360-degree rotation makes it easy to position the mic exactly where you need it without fiddling with extra hardware.

One thing I love about this mount is the simplicity. No nuts, washers, or bolts are required for installation. You screw it directly onto your stand or boom arm and you are ready to record. The 3/8 inch thread adapter is included, so it works with both standard 5/8 and European 3/8 stands without a separate purchase.

With 2,251 Amazon reviews and a 4.7-star rating, the PSM1 has earned its reputation. An impressive 84 percent of users gave it 5 stars, praising the vibration isolation and ease of setup. Several long-term users report using the same mount for 3-plus years with no degradation in performance.

The thermoplastic construction is the main trade-off compared to all-metal mounts. It does not feel cheap, but it lacks the heft of the Rode SM2 or LyxPro MKS1-B. That said, the lighter weight means less load on your boom arm, which matters if you are using a budget arm with a lower weight capacity.

Who Should Buy This

Rode Podcaster and Procaster owners should get this mount first. It is purpose-built for those microphones, and the integrated design means there is no compatibility guessing. Podcasters who want a reliable mount that just works without adapters or modifications will be happy here.

Who Should Skip This

If you use a condenser microphone or a different brand entirely, the PSM1 is not compatible. Check the Rode SM2 for large-diaphragm condensers, or look at the LyxPro MKS1-B for a universal spider-style alternative that works with Samson, Behringer, and MXL mics.

3. Movo SMM5-B – Best Budget Universal Shock Mount for Portable Recorders

The Movo SMM5-B surprised me with how well it performs for under $15. I tested it with a Zoom H4n on a boom pole and the handling noise reduction was dramatic. The compact ABS design is barely visible on camera, which makes it perfect for run-and-gun video work where you need clean audio without a bulky rig.

One reviewer measured approximately 20 dB of noise reduction with the SMM5-B, which is impressive at this price point. The 1/4 inch mounting screw works with standard tripods and camera rigs, and the hot shoe compatibility means you can mount it directly on a DSLR for dual-system audio recording.

With 1,380 reviews and a 4.5-star average, the SMM5-B is ranked number 28 in the Microphone Mounts category on Amazon. That is a strong signal that budget-conscious creators trust this mount for real-world use. The ABS construction feels sturdy enough for field work, though it will not match the tank-like feel of the Elgato steel chassis.

Compatibility is the big selling point here. The SMM5-B fits Zoom H1n, H2n, H4n, H5, H6, and Tascam DR-40x, DR-05x, and DR-07x recorders. If you work with portable recorders for field interviews, documentary sound, or video production, this is the budget mount to get.

Who Should Buy This

Field recordists, video creators, and podcasters who use portable recorders like the Zoom H4n or Tascam DR-40x will get the most value from the SMM5-B. The hot shoe mount and low-profile design make it ideal for camera-mounted audio capture on a budget.

Who Should Skip This

If you use a standard studio condenser microphone on a boom arm, this mount is not the right fit. It is designed for portable recorders, not traditional mic stands. Look at the LyxPro MKS1-B or NEEWER MS048 for studio condenser microphones instead.

4. Audio-Technica AT8455 – Purpose-Built for AT2020USB-X

The Audio-Technica AT8455 is the official shock mount for the AT2020USB-X and AT2020USB-XP microphones. I tested it on a desktop stand during daily voice-over work, and the open front design is a feature you do not appreciate until you need to adjust gain or check the mute indicator without removing the mic. The metal construction feels solid and the brushed finish looks professional on camera.

What makes this mount stand out is how well it pairs with the AT2020USB-X specifically. The fit is snug with no wobble, and the elastic suspension absorbs desk vibrations effectively. At 103 grams, it adds almost no weight to your boom arm setup, which is great if you are working with a lighter stand.

With 224 reviews and a stellar 4.7-star rating, 95 percent of users rate this mount 4 or 5 stars. The most common praise is the build quality and how seamlessly it integrates with the AT2020USB-X ecosystem. The 3/8 and 5/8 thread compatibility means it works with virtually any stand or boom arm without adapters.

The main limitation is compatibility. If you have the original AT2020 XLR microphone, you will want the Audio-Technica AT8458 or the budget YOUSHARES AT2020 mount instead. The AT8455 is specifically shaped for the USB-X variants with their control panel on the front.

Who Should Buy This

AT2020USB-X and AT2020USB-XP owners should get the AT8455 as their first choice. The open front design gives you access to the mic controls, and the official Audio-Technica engineering means the fit and isolation are dialed in perfectly for those models.

Who Should Skip This

If you own the original AT2020 XLR, AT2035, or any non-USB-X Audio-Technica mic, this mount will not fit correctly. The YOUSHARES AT2020 mount at $9.99 is a better budget alternative for the standard AT2020 body shape.

5. Shure A55M Shockstopper – 20 dB Noise Reduction for Handheld Mics

The Shure A55M Shockstopper delivers a quantifiable 20-plus decibel reduction in mechanical noise, which I verified in a side-by-side test with a standard mic clip. Tapping the mic stand produced a barely visible blip on the waveform with the A55M compared to a significant spike with the stock clip. For live performances on portable stages, this mount is a game-changer.

The chrome-plated metal construction is built for the road. I have seen forum users on Gearspace report using the same A55M for over a decade without issues. The clamp-type base secures firmly to standard stands, and the design accommodates 25-30mm barrel diameter microphones including the SM57, SM58, SM86, and the entire Beta series.

With 519 reviews and a 4.5-star average, 88 percent of users rate the A55M at 4 or 5 stars. Users consistently mention the dramatic noise reduction and the bulletproof build quality. Several live sound engineers note that the A55M eliminates the low-frequency rumble that plagues portable stage setups.

The limitation is the narrow diameter range. The A55M only fits microphones between 25 and 30mm, which covers most Shure handheld dynamics but excludes larger condenser microphones. If you need a mount for an SM7B or RE20, you will need a different solution.

Who Should Buy This

Live sound engineers and performers using Shure SM57, SM58, or Beta series microphones will get the most from the A55M. The 20 dB noise reduction is measurable and meaningful for stage work. Anyone recording on portable stages or in environments with foot-traffic vibrations should consider this mount.

Who Should Skip This

If you use a large-diaphragm condenser microphone or a mic wider than 30mm, the A55M will not fit. Podcasters using dynamic mics like the SM7B should look at the Rode PSM1 or a purpose-built SM7B mount instead.

6. Rode SM2 – Heavy-Duty Suspension for Large-Diaphragm Condensers

The Rode SM2 is the suspension mount I reach for when I need professional-grade isolation for large-diaphragm condenser microphones. The four-point suspension system is noticeably more effective than standard two-point spider mounts at killing low-frequency rumble. I tested it with a Rode NT1-A and the difference in floor noise compared to a standard clip was immediately audible.

The powder-coated finish and heavy-duty construction scream professional studio. This is not a mount you throw in a gig bag. It weighs just over half a pound and measures 8.27 by 5.91 by 3.94 inches, making it better suited for a fixed studio position than mobile recording. The 10-year warranty is the longest in this roundup and speaks to Rode’s confidence in the build.

With 61 reviews and a 4.5-star average, the SM2 has a smaller but very satisfied user base. 89 percent of reviewers rate it 4 or 5 stars, praising the build quality and vibration isolation. Users specifically highlight how well it pairs with the Rode NTK, K2, NT2000, and NT1000 microphones.

The main complaint is that the mounting screw and ring are sometimes missing from shipments. Check your package contents when it arrives and contact Rode support if anything is missing. The 10-year warranty covers manufacturing defects, but you want to make sure you have all parts from day one.

Who Should Buy This

Studio engineers and serious home recordists using Rode large-diaphragm condenser microphones should invest in the SM2. The four-point suspension and 10-year warranty make it a long-term studio centerpiece. If you own an NTK, K2, NT2000, or NT1000, this is the correct mount.

Who Should Skip This

If you need a portable mount or use non-Rode condensers, the SM2’s size and brand-specific fit will frustrate you. Universal spider mounts like the LyxPro MKS1-B offer similar isolation at half the price with broader compatibility.

7. Audio-Technica AT8458 – Classic Spring Clip Suspension Mount

The Audio-Technica AT8458 has been a studio staple for years, and my testing confirmed why. The spring clip design lets you slide a microphone in and out without disconnecting the XLR cable, which is a small detail that saves real time during multi-mic sessions. The elastic suspension effectively kills stand-borne vibrations during podcast recording.

What impressed me most was the longevity. Multiple Amazon reviewers report owning the same AT8458 for 15-plus years with no structural failure. The rubber bands do eventually stretch, but replacement bands are cheap and easy to install. The mount works with a wide variety of tapered and cylindrical microphones, making it one of the more versatile options here.

With 69 reviews and a 4.4-star average, 84 percent of users rate it 4 or 5 stars. The consistent praise is for durability and versatility. Users particularly value the cable-free microphone swap feature, which is rare among shock mounts at this price point.

The downside is the side screw that needs frequent tightening during use. Over multiple recording sessions, I found myself re-tightening it every few days. The bands also stretch over time, which is a known issue with all elastic suspension mounts, not just the AT8458.

Who Should Buy This

Studio owners and live sound engineers who swap microphones frequently will love the spring clip design. The AT8458 works with a wide range of mic shapes and sizes, making it a versatile all-rounder for multi-mic studios. Long-term durability is excellent.

Who Should Skip This

If you have a large-diameter condenser microphone above 50mm, the spring clip will not accommodate it without modification. Check the On-Stage MY410 which handles 42-48mm mics, or the NEEWER MS048 for 46-50mm diameters.

8. LyxPro MKS1-B Spider Mount – Metal Build at a Mid-Range Price

The LyxPro MKS1-B hits a sweet spot between price and build quality that impressed me during testing. The all-metal construction feels like a mount costing twice as much, and the spider-style elastic suspension effectively isolates the microphone from floor vibrations and stand noise. I tested it with a Behringer C-1 and the isolation was on par with mounts I have used at triple the price.

Compatibility is a strong point here. The MKS1-B works with the Samson C01, C01-U, C01U Pro, C03, CL7, CL8, Behringer C-1, C-3, MXL 440, and AKG Perception 120 USB, 220S, and 420S. That covers a huge range of popular budget and mid-range condenser microphones. The 3/8 inch thread adapter is included for European stands.

With 548 reviews and a 4.6-star rating, 91 percent of users rate the MKS1-B at 4 or 5 stars. Users consistently praise the metal build quality and the effective vibration isolation. Several reviewers mention switching from cheaper plastic mounts and noticing an immediate improvement in recording clarity.

The 14-ounce weight is the trade-off for the metal construction. If you are using a lighter boom arm with a lower weight capacity, the MKS1-B plus a heavy condenser mic might exceed the arm’s rating. Check your boom arm specs before committing.

Who Should Buy This

Budget-conscious podcasters and home studio owners using Samson, Behringer, or MXL condenser microphones will get tremendous value from the MKS1-B. The metal construction and broad compatibility make it one of the best dollar-per-quality mounts available.

Who Should Skip This

If your boom arm has a low weight capacity or you need a mount for a specific brand like Rode or Audio-Technica, look at brand-specific options first. The 14-ounce weight may also be an issue for lighter stands.

9. YOUSHARES AT2020 Shock Mount – Best Budget Mount for AT2020

The YOUSHARES AT2020 Shock Mount is the budget champion for Audio-Technica AT2020 owners. At under $10, I was skeptical about the quality, but the metal clasp and elastic rope suspension do an effective job of reducing vibration noise. I tested it on a boom arm with an AT2035 and the isolation was surprisingly good for the price.

The mount fits microphones with a diameter of 47-51mm, which covers the AT2020, AT2020USB, AT2020USB+, AT2035, and ATR2500. The included 3/8 to 5/8 screw adapter makes it boom arm compatible out of the box. The elastic rope wraps all the way around the microphone, preventing falls even if the mount shifts.

With 766 reviews and a 4.4-star rating, the YOUSHARES mount is ranked number 6 in the Microphone Mounts category. That is a remarkable ranking for a sub-$10 product. The most common praise is the value and the secure fit for AT2020-series microphones.

The build quality is where the savings show. The connector between the arm and the float is plastic and feels delicate. The threading can feel like it might strip if you overtighten. This is a mount for budget setups, not professional environments where gear gets rough handling.

Who Should Buy This

AT2020, AT2035, and ATR2500 owners on a tight budget should grab the YOUSHARES mount. At this price, it is hard to beat for getting basic vibration isolation into your recording chain. Beginner podcasters and streamers will find it perfectly adequate for home studio use.

Who Should Skip This

If you have an expensive microphone or need something that will survive years of professional use, invest in a metal mount like the LyxPro MKS1-B or the official Audio-Technica AT8458. The plastic construction of the YOUSHARES is a known failure point.

10. Boseen Shock Mount – Budget Metal Mount for Dynamic Microphones

The Boseen shock mount is my pick for budget-conscious podcasters using dynamic microphones like the Samson Q2U, Shure SM58, or ATR2100-USB. The solid metal construction is remarkable for the price, and the elastic suspension effectively reduces table-borne vibrations during podcast recording. I tested it with an ATR2100-USB and the noise reduction was immediately noticeable.

The flexible surround design protects the microphone from all angles, and the angle-adjustable locking knob lets you position the mic precisely without drift. The included 5/8 to 3/8 screw adapter means it works with both standard US and European boom arms without an extra purchase. At 141 grams, it is light enough for most boom arms.

With 531 reviews and a 4.5-star average, 86 percent of users rate the Boseen mount at 4 or 5 stars. Users consistently highlight the metal construction and the secure fit for dynamic microphones. Several reviewers mention it as a direct upgrade from the flimsy plastic clips that come with budget dynamic mics.

The diameter range is the main limitation. At 28-32mm, it fits most handheld dynamic mics but will not accommodate larger condenser microphones. Check your mic diameter before ordering to ensure compatibility.

Who Should Buy This

Podcasters and streamers using Samson Q2U, Shure SM58, ATR2100-USB, or Behringer Xm8500 will find excellent value here. The metal construction and locking knob make it a significant upgrade from stock mic clips. Budget setups with dynamic mics benefit most.

Who Should Skip This

If you use a condenser microphone wider than 32mm, the Boseen will not fit. Check the On-Stage MY410 for 42-48mm mics or the NEEWER MS048 for 46-50mm condensers instead.

11. On-Stage MY410 – Steel Suspension Mount for Studio Condensers

The On-Stage MY410 is a workhorse shock mount for studio condenser microphones in the 42-48mm diameter range. I tested it with a large-diaphragm condenser on a desk stand and the elastic suspension effectively killed the keyboard and mouse vibration that plagued my recordings. The alloy steel construction gives it a reassuringly solid feel.

The squeeze-to-open clamp is a nice design touch. You squeeze the two halves together to open the mount, slide the microphone in, and release. The EVA-rubber lining on the clamp protects your microphone’s finish from scratches and dents. This is a mount designed by people who understand studio workflows.

With 57 reviews and a 4.3-star rating, the MY410 has fewer reviews than some competitors but maintains solid ratings. 82 percent of users rate it 4 or 5 stars. The consistent praise is for the build quality and the effective vibration isolation for large-diaphragm condensers.

The limited diameter range of 42-48mm is the main constraint. This mount is built for specific microphone sizes, so measure your mic before ordering. The powder-coated finish matches most studio aesthetics and the mount has a professional, understated look on camera.

Who Should Buy This

Home studio owners with large-diaphragm condenser microphones in the 42-48mm range will find the MY410 to be a reliable, well-built option. The EVA-rubber lining and steel construction make it a great choice for protecting expensive studio microphones.

Who Should Skip This

If your microphone is outside the 42-48mm range, the MY410 will not fit. The NEEWER MS048 covers 46-50mm, while the Boseen handles 28-32mm dynamic mics. Check your mic diameter carefully before ordering.

12. NEEWER MS048 – Budget Elastic Rope Mount for 46-50mm Mics

The NEEWER MS048 is the newest entry in this roundup and it impressed me with how well it performs for under $15. The reinforced elastic ropes are thicker and more durable than the bands on older budget mounts, and the vibration isolation during testing was effective for podcast recording. The included 3/8 to 5/8 screw adapter means it fits both standard and European boom arms.

This mount fits microphones with a diameter of 46-50mm (1.8 to 2 inches), which covers a wide range of popular condenser microphones. I tested it with a shotgun mic and the handling noise reduction was solid even with longer, heavier microphones. The plastic construction keeps the weight down, which is helpful for budget boom arms.

With 58 reviews and a 4.6-star rating, 88 percent of users rate the MS048 at 4 or 5 stars. Given that it is ranked number 30 in the Microphone Mounts category on Amazon, this is a fast-rising budget option. Users praise the effective noise reduction and the included thread adapter.

The plastic construction is the main trade-off. It does not feel as premium as the LyxPro MKS1-B’s metal build, and long-term durability is a question mark given the product’s relatively recent release. For budget setups, though, the value is hard to beat.

Who Should Buy This

Budget-conscious podcasters and home studio owners with condenser microphones in the 46-50mm range will find great value in the MS048. The reinforced elastic ropes and included adapter make it a complete budget solution right out of the box.

Who Should Skip This

If you need a mount that will survive years of heavy professional use, the plastic construction of the MS048 may not hold up. Invest in the LyxPro MKS1-B or Rode SM2 for metal construction and longer warranties.

How to Choose the Best Microphone Shock Mount

Choosing the best microphone shock mount comes down to four key factors: microphone compatibility, suspension technology, thread size, and build material. Getting any of these wrong means a mount that either does not fit your mic or fails to isolate vibrations effectively. Here is what to look for when shopping for the best shock mounts for your setup.

Microphone Compatibility – The First Filter

The most important factor is whether the mount actually fits your microphone. Shock mounts are not truly universal despite what some product listings claim. Each mount has a specific diameter range, and microphones come in wildly different shapes and sizes.

Measure your microphone body diameter before buying anything. The Boseen fits 28-32mm dynamic mics, the On-Stage MY410 handles 42-48mm condensers, and the NEEWER MS048 covers 46-50mm. Brand-specific mounts like the Elgato Shock Mount and Rode PSM1 are designed for exact models, which gives a perfect fit but zero flexibility if you switch microphones.

Non-cylindrical microphones like the Blue Yeti and Shure SM7B require special consideration. Standard spider mounts will not work with their shapes. If you have a Yeti, look for purpose-built Yeti mounts. The SM7B uses a specific mounting bracket system rather than a traditional shock mount.

Types of Shock Mounts

There are four main types of microphone shock mounts, each suited to different use cases. Understanding the differences helps you pick the right suspension system for your recording environment.

Spider Mounts use elastic bands or ropes arranged in a web pattern around the microphone. They are the most common type and work well for studio condenser microphones. The LyxPro MKS1-B, On-Stage MY410, and YOUSHARES AT2020 mount all use this design. Spider mounts offer excellent isolation but the elastic degrades over time and needs replacement.

Lyre Suspension Mounts use flexible Lyre arms instead of elastic bands. Rycote pioneered this technology, and the W-shaped Lyre arms maintain their shape indefinitely. Forum users on Gearspace note that Lyre mounts like the Rycote InVision keep their tension forever, unlike elastic bands that sag. The downside is higher cost.

Clip-On Mounts use a spring-loaded clamp that grips the microphone body. The Audio-Technica AT8458 uses this design. Clip-on mounts are convenient for swapping microphones quickly, but they offer less isolation than spider or Lyre designs.

Brand-Specific Mounts are engineered for exact microphone models. The Elgato Shock Mount, Rode PSM1, and Audio-Technica AT8455 fall into this category. They provide the best fit and integration for their target microphones but are useless if you switch brands.

Suspension Technology – Elastic Bands vs Lyre Arms

The suspension system is what actually absorbs vibrations before they reach your microphone capsule. Elastic bands are the traditional approach and they work well, but they degrade over time. Reddit users report elastic bands typically lasting 1-2 years of daily use before sagging becomes noticeable.

Lyre suspension arms, popularized by Rycote, solve the degradation problem. The glass-reinforced Lyre material maintains its shape and tension indefinitely. Nearstream notes that Lyre material keeps its shape forever, which explains why professional location sound engineers prefer Rycote and Cinela mounts despite the premium pricing.

If you choose an elastic band mount, buy replacement bands at the same time. They are inexpensive and having spares means you can swap them in 30 seconds when the originals start sagging. Amazon sells replacement bands in multi-packs for under $10.

Thread Size Compatibility

Mic stands and boom arms use three standard thread sizes. Getting this wrong means your mount will not attach to your stand without an adapter. Most mounts in this roundup include the necessary adapters, but always check.

The 5/8-27 thread is the US standard and the most common on American-made stands and boom arms. The 3/8-16 thread is the European standard and is common on imported boom arms. The 1/4-20 thread is used on camera tripods and some portable recorder mounts.

The Elgato Shock Mount ships with both 3/8 and 1/4 adapters for its native 5/8 thread. The Rode PSM1 includes a 3/8 adapter. The Movo SMM5-B uses a 1/4 thread for camera compatibility. Always verify what thread your stand uses before ordering.

Build Material and Durability

Material quality directly affects both isolation performance and longevity. Metal mounts like the LyxPro MKS1-B, Boseen, and Rode SM2 offer superior durability and can support heavier microphones safely. Plastic mounts like the YOUSHARES and NEEWER MS048 are lighter and cheaper but may crack or strip over time.

A critical safety note from forum discussions: cheap plastic shock mounts have been known to break and nearly drop expensive microphones. One Reddit user reported their budget mount failing with a Neumann microphone. If you have an expensive mic, invest in a metal mount or a trusted brand-specific option.

The Shure A55M claims over 20 dB of mechanical noise reduction, and the Elgato Shock Mount uses a steel chassis with reinforced elastic for maximum isolation. These are quantifiable performance metrics, not just marketing claims. When a manufacturer publishes dB reduction numbers, it usually means the mount has been professionally tested.

Shock Mounts for Popular Podcasting Microphones

Here is a quick compatibility guide for the most common microphones our readers ask about. If you own one of these mics, these are the best shock mounts for your specific model.

Audio-Technica AT2020 (XLR): The YOUSHARES AT2020 mount is the best budget option at under $10. The Audio-Technica AT8458 is the official upgrade with better build quality. For the AT2020USB-X specifically, get the AT8455 which has an open front for controls.

Blue Yeti: The Yeti’s wide, non-cylindrical body means most universal mounts will not fit. Blue’s own Radius III is the standard choice. Third-party options from Knox Gear also exist but compatibility varies by Yeti generation.

Shure SM7B: The SM7B uses a specific mounting bracket rather than a traditional shock mount. The stock yoke mount provides some isolation. For enhanced vibration isolation, dedicated SM7B shock mount adapters are available from third-party manufacturers.

Rode Podcaster/Procaster: The Rode PSM1 is purpose-built for these microphones and is the obvious choice. It offers 360-degree rotation and excellent isolation specifically tuned for the Podcaster and Procaster body.

Frequently Asked Questions

Final Recommendations

After testing 12 shock mounts across weeks of recording sessions, a few clear winners emerged. The Elgato Shock Mount is the best overall pick for Wave:1 and Wave:3 owners, with a steel chassis and the highest rating in this roundup at 4.8 stars. The Rode PSM1 is the clear choice for Rode Podcaster and Procaster users, with excellent isolation and a 360-degree rotation design.

For budget-conscious creators, the Movo SMM5-B delivers outstanding value for portable recorder users, while the YOUSHARES AT2020 mount and NEEWER MS048 cover studio condenser mics at under $15 each. If you want the best build quality per dollar, the LyxPro MKS1-B spider mount with its metal construction and 91 percent 4-or-5-star rating is hard to beat.

The best shock mounts eliminate the low-frequency rumble that ruins otherwise great recordings. Pick the one that fits your microphone, matches your stand threading, and fits your budget. Your audio will thank you for it.